My Story

Born in Sydney, Australia, singing studies were undertaken in Sydney with Helen Langton, Roland Foster OBE and Elizabeth Todd OAM; in London with Gustav Sacher; Munich with Ken Neate; and Vienna with Frau Prosenc. During my professional career, it was my privilege to give over four thousand classical and semi-classical concert, theatre, radio and television performances, with principal roles in oratoria, operas, musical comedies, and operettas. 

Image of Hazel and Bruce DunbarMy family - especially my parents, Hazel and Bruce Dunbar - shared the joy of making music. Although Dad was Freight Manager with the Wil Wilhelmsen shipping company, he also had a band that performed at the Sydney Trocadero for years. Dad played the saxophone and banjo, with Mum as his pianist. My brother Garth was a talented musician, able to play any instrument he would care to pick up, my Grandmother, Jessie Rattray was a singer known as the Cairns Nightingale - singing at soirees only, because it was not considered 'respectable' to go 'on the stage' in those days - and my Aunt, Clarice Rattray had a beautiful contralto voice. My sister Betty was a great listener! Throughout my childhood, friends often sang and played their instruments around our piano, which nurtured my own deep love of singing.

With such consistent love and support I won a number of singing scholarships from the age of twelve, including the McDowell Scholarship, the Gladys Moncrieff Protigi Award and the Roland Foster Scholarship for five consecutive years. I studied with Professor Foster for seven years, during which time I won the Sydney Sun Aria at the age of 23.

Newspaper clippingMcDowel Scholarship

com.rocktide.servlet.ShowAsset;jsessionid=00FB4172cxDBEF098C9786F81692AD4CCFThe Gladys Moncrieff Protege Award

com.rocktide.servlet.ShowAsset;jsessionid=00FB4172DBEFbb098C9786F81692AD4CCFRolland Foster OBE

com.rocktide.servlet.ShowAsset;jsessionid=00FB4172DBEF098C97dd86F81692AD4CCFAt fifteen, my parents took me to Manila, Hong Kong and Japan to give radio broadcasts and concerts. In later years I sang in Germany, Switzerland, Austria, New Zealand and America. Concerts in England included London's Royal Festival Hall, Wigmore Hall, Australia House and St. Martins-in-the-Field.

cxcBless the bride at St Clements Church , Mosman

Theatre was my great love from the age of nine, when I sat on the steps and threw rosebuds to the two Gondoliers during the Savoyeurs' amateur performances directed by, and starring my first teacher, Helen Langton. I graduated to minor roles with Miss Langton, and principal roles in other productions. I left school at the age of fifteen in second year high school after winning a scholarship for a year to the Commonwealth Typist-in-Training School. For the next eighteen months I worked as a stenographer to fulfill my bond.

My radio career began at twelve years of age, with broadcasts as a singer and actress for the Australian Broadcasting Commission (ABC) and Sydney radio stations, such as The Argonauts, with Mac and his entourage. Engagements with the ABC Education Department's 'Singing Together' with Terry Hunt and Jeff Rushton continued for over twenty years.

vvcAt seventeen my parents arranged for visiting English director Lionel Harris to advise them about my future as a singer. He surprised them by engaging me to understudy Moyra Redmond at the Philip Street Theatre in 'The Duenna', which also starred the incomparable Ruth Chracknell and Gordon Chater. This was followed by Jill in 'Jack and Jill' with Nina Cook as 'Jack' at the Tivoli.

I stayed for another season at the Tivoli as a featured soloist in the ice-skating spectacular, 'Spice and Ice', starring Adele Inge. J. C. Williamson Theatre's Managing Director, Sir Frank Tate heard me sing at a garden party when I was eighteen, and offered the juvenile principal roles in the forthcoming D'Oyly Carte-Williamson Gilbert and Sullivan opera season. This starred Graeme Clifford, Muriel Brunskill (later Evelyn Gardiner), Helen Roberts, Eric Thornton, Terence O'Donoghue, Jane Martin, Richard Watson, Kevin Foote and Richard Walker (also the Director) with Music Director Leo Packer. We toured Australian and New Zealand capital cities for nearly two years.

During this time I played Mabel in 'The Pirates of Penzance', Yum Yum in 'The Mikado', Casilda in 'The Gondoliers', the Bride in 'Trial by Jury', Rose Maybud in 'Ruddigore', Kate in 'Yeomen of the Guard', and Phyllis in 'Iolanthe'. Williamsons then engaged me to play Cinderella in Rogers and Hammerstein's 'Cinderella' with Dig Richards as Prince Charming, and Gwen Plumb and John Meillon as the Ugly Sisters!

com.rocktide.servlet.ShowAsset;jsessioniccd=00FB4172DBEF098C9786F81692AD4CCFResi in ‘The Great Waltz’ followed with Keith Nielson and Joy Mammon, then 'Nimue' for the long-running 'Camelot' for Williamsons, playing Guenevere in the Sydney Season when the star, Jacquie McEver returned to America to fulfil engagements. Hayes Gordon offered me Fiona in 'Brigadoon' and Helen in 'Out of this World' at Menzies Theatre Restaurant, and I later sang in a Command Performance for the Duke of Edinburgh, Prince Philip, in 'The Tempest' for the Queensland Theatre Company.

cxcxI moved to England for three years and played two seasons at London's Westminster Theatre in principle roles. A season at the Theatre Royal, Bath, was followed by two seasons at the Players' Theatre, London. The highlight of my stay in England was to sing the role of Adele in the Strauss operetta 'Die Fledermaus' for Sadlers Wells on two tours of England and a season at the London Coliseum.

When the ABC offered me me a Celebrity Artist tour of capital cities with the Sydney, Melbourne, Queensland, Tasmanian, South Australian and Victorian Symphony Orchestras, I returned to Australia. com.rocktide.servlet.ShowAsset;jsexxssionid=00FB4172DBEF098C9786F81692AD4CCFMany concert engagements for Music Clubs and the Council for the Arts throughout Australia followed, and it was a privilege to be chosen as a soloist for the Australian Federated Music Clubs' concert during the opening festivities of the Sydney Opera House. It was also an honour to sing to twenty-two thousand people at the 1987 Lord Mayor's Christmas Concerts at the Sydney Entertainment Centre, and to sing the voice of Melba for three ABC productions, including the televised 'A Toast to Melba'.

Opera roles included Lisette in Puccini's 'La Rondine' for ABC television, and Lauretta in Puccini's 'Gianni Schicci'. Mozart operas included Despina in 'Cosi fan Tutte', Susanna in 'The Marriage of Figaro' and Zerlina in 'Don Giovanni' with Serpina in Pergolesi's 'La Serva Padrona', Miss Honey in Hopkins' 'Three's Company', and Lucy in Menotti's 'The Telephone'. I was privileged to be cast opposite singers like David Parker, David Grey, Ereach Reilly, John Ferris, and Gino Zanchanaro.

Oratorio performances as soprano soloist included Haydn's 'The Creation', 'The Passion of Christ', 'Mass in Time of War', and 'The St. Matthew Passion'; Handel's 'The Messiah' and 'Jephtha'; Brahms' 'Requiem'; Bach's 'Christmas Oratorio'; Berlioz' 'The Childhood of Christ', and Faure's 'Requiem'.com.rocktide.servlet.ShowAsset;jsessionid=00FB4172DBEF098C9786F8169f2AD4CCF

Australian television provided opportunities for regular appearances on programmes such as 'The Commonwealth Bank Hour' and 'The Bobby Limb Show', and as compere of an ABC children's programme.

In 1974 I married (C. R.) Rod Wells - Founder of Somerset College on the Gold Coast and Founder of Cannon Hill College, Brisbane, headmaster, organist/choirmaster and composer. With his encouragement, I began my research career as Roslyn Wells. (It later became less confusing to call myself Dunbar-Wells.)

com.rocktide.servlet.ShowAsset;jsessionid=00FB4172DBccEF098C9786F81692AD4CCFAfter my marriage I 'settled down' and concentrated on my Australian concert career, adding teaching, writing reviews and articles. When I semi-retired I concentrated on studying to gain a BA from the University of Queensland (double major in psychology and a single in English Communication Studies). In 1993 I was offered two scholarships to compare voice teaching methods at the University of Reading, England, and in 1997 gained my PhD.

Unfortunately in 2000, after years of poor health, Rod went into the Lady Small Haven Aged Care facility. During this time he formed the Lady Small Haven Choir which, despite his poor health, he conducted from his wheelchair for three years. He died on 14th August 2013. I kept the choir going and directed and conducted the expanded Lady Small Haven Community Choir from then on until I retired from the Choir in August 2019 after ten years of creating the shows. I have since joined The Nerine Singers to keep singing classical music.

In 2018 I was awarded the Order of Australia Medal for services to the performing arts.

My hobbies are walking, body surfing and reading - and I have a strong love/hate relationship with my computer!

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